Lieve Caron's post is the third in our BASc@UCL Blog Series in which we showcase the work from the Arts and Sciences (BASc) course taught at University College London (UCL).
The...
Deborah Bell's post is the latest in our BASc@UCL Blog Series, in which we showcase the work from the Arts and Sciences (BASc) course taught at University College London (UCL).
During my ...
For the next coming weeks, we will have students from the Arts and Sciences (BASc) course taught at University College London (UCL) presenting their truly interdisciplinary work on our blog.
We launched this...
Freya Blundell Meyer is the first author in our BASc@UCL Blog Series, in which we showcase the work from the Arts and Sciences (BASc) course taught at University College London (UCL).
&nb...
Dear All,
We were delighted to present our past work and future ideas at the Hub on Wednesday (30th November), unfortunately due to the tube disruption many of you who wanted to were unable to attend so we hav...
On Saturday 5th November 2016, AXNS are curated and chaired the panel ''Quantifying Aesthetic Emotions: What are the Implications for the Arts?' at STATE Festival: The Sentimental Machin...
Last week brought the news that AQA will not be developing a new Art History course for 2017; the final exam board to drop the ‘soft’ A Level subject. In its wake the voices of educators, artists and journalist...
Joe Banks is an installation artist and researcher, and author of the book “Rorschach Audio - Art & Illusion for Sound” - https://rorschachaudio.com
Part 1 of “The Analysis of Beauty” & Blind-Spots -...
As part of a new series of blogs, each member of AXNS has been asked to write about why they are interested in art/science crossovers and their motivations for being in AXNS. This week, it’s the turn of art cur...
Joe Banks is an installation artist and researcher, and author of the book “Rorschach Audio - Art & Illusion for Sound” - https://rorschachaudio.com
Visual reality is in itself a carefully constr...